It is almost bold how much Borderlands 3 players like Borderlands 2, which is fine with me because I liked Borderlands 2. But then, curiously, Gears 5 also tries to be a more open-world game, and when it tries it fails. Gears 5 is mostly a good Gears game when it does the Gears thing: letting me and the bois violently push through obstacles with teamwork and brute force, exploding heads along the way with a kind of pimple-popping satisfaction. I basically love all of them, even Judgment. But it hits some of the same notes, most notably in its dogfights, and that kept my interest for 40 hours, even though the 40th was exactly like the first. Is Rebel Galaxy Outlaw a worthy successor to those old Star Wars games? No, not quite. I didn't get on board until X-Wing Alliance, but I understand the love for the mostly-dead genre, a space sim that's somewhere between Star Citizen and Rogue Squadron in its complexity. Some people wax nostalgic about X-Wing Vs. It was a fun, a good thing to play when I was in the mood for something like Destiny but didn't want to play Destiny. Its endgame is fun and original, dramatically changing the areas I've spent hours in and opening entirely new skill trees.It's a good third person cover shooter, with clever AI and enemy types that make encounters fun even if they take place in the same spots over and over again.I played The Division 2 for 60 hours and here's what I can tell you about it: More importantly, I desperately missed the three AI squad members from Wildlands, which were delightfully overpowered. But in the end, even I was overwhelmed by its deluge of map icons and activities. Breakpoint is mostly what I wanted, which is more Wildlands with touches of Silicon Valley revenge fantasy. But when I made one wrong move and tripped an alarm, I was suddenly running scared into the bushes, with a dozen autonomous drones taking easy shots at my big red ass. When I was focused and careful, I was an elite soldier sneaking through tech company campuses on a libretarian island state utopia, dispatching dozens of enemies before they even knew I was there. Much like Rob Zacny, I liked it more than most reviewers because it provided a precarious power fantasy. I loved Ghost Recon: Wildlands, and was extremely excited to play this followup. (EDIT: Inverted order of paragraphs to make sure I acknowledge your suggestion first before explaining my interpretation.The games I played a ton even though I didn't love them But again, that's just my interpretation. Seeing that they could use this as part of their plan to defeat death and hide themselves and the Eye, they incorporated this into their plan. I figure that they discovered the death functionality accidentally and decided to see its limits. It seemed to actually have the owl-elks testing the bell functionality with both a sleeping and a deceased person. My reasoning has to do with my interpretation of the error report itself. In my interpretation of the story, I imagine them setting things up specifically knowing they could survive past death. I think the game itself leaves it vague whether or not there was a link. The idea that they thought they would have a limited time there, but instead have spent hundreds of thousands of years, or more, living in this virtual reality. That adds a bit more of a sorrow to the story even. Besides these two slides, we don't see any other mention of the "life after death" mechanic, so your suggestion is entirely reasonable that they didn't generally know about this functionality and willingingly entered their dream world with the intention of never coming out until they died.
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